About This Practice

I investigate how invisible systems—bureaucratic, technological, archival—encode power into everyday existence. My practice draws on 45 years inside government, digital infrastructure, and industrial manufacturing to create installations that make these systems visible, tangible, confrontable.

My current work explores three interconnected investigations: semantic encryption as cultural memory (Quantum Memory), film noir aesthetics as bureaucratic resistance (Transcription Error), and surveillance as consciousness inquiry (Rite of Passage).

Together, these projects form a trilogy investigating how institutional systems attempt to capture, categorize, and control human complexity—and how humans remain irreducible “transcription errors” that mutate, contradict, and resist such capture.